While many filmmakers just shot wide shots of the action, Soviet montage theory cut together shorter shots to build a story. It holds that editing and the juxtaposition of images is the lifeblood of filmmaking. Soviet montage theory is an approach to creating movies that rely heavily upon editing techniques. They can tell a story that would not be understandable from just one of the images, and would only be able to be deciphered when put together with multiple shots that form a whole. What does the montage theory of editing propagate? People wanted to build on that idea.Īs more and more people experimented with the Kuleshov effect, we delved into montage theory. It is a cognitive event in which viewers derive more meaning from the interaction of two sequential shots than from a single shot in isolation.īut that was just the beginning. Lev Kuleshov pioneered an idea that would be known as the Kuleshov Effect. When filmmakers were first pioneering how to create movies and elicit emotions from the audience, they experimented with lots of different editing styles. Who Is Sergei Eisenstein and What Was Soviet Montage Theory? So without further ado, let's cut together some answers and explanations. We'll get the definition of Soviet montage theory, montages, we'll learn about Sergei Eisenstein, and we'll see how we can continue the work they started and keep experimenting in the future. ![]() Today, we want to look at one of those early movements that changed all of cinema as we know it. Out of this experimentation and search for meaning, cinematic language was created. So much of what we know today was pioneered by people experimenting and doing what they can to create cinema. Up next is “The Kuleshov Effect Explained (and How Spielberg Subverts it.In the early days of cinema, everything had to be invented. We only touched on the Kuleshov Effect as part of Soviet Montage Theory, but in this next article we break it down in further detail with modern examples, including the work of Steven Spielberg. Soviet filmmaker Sergei Eisenstein, who was once a student of Lev Kuleshov, is credited with outlining Soviet Montage Theory through the five steps we’ve just gone over.īoth Eisenstein and Kuleshov used the five steps of Soviet Montage Theory through their careers, which helped them to become some of the most influential technical filmmakers of all-time. Sergei Eisenstein Montage Film The Five Steps Exaggerates the emotional response through supporting and contrasting images. ![]() Let’s look at the essential aspects inherent in a montage: This scene is one of the best examples of the influence of Soviet Montage Theory on international cinema. Types of Montage Film Intellectual MontageThe idea behind Kuleshov’s short film was to combine a single, center-framed shot of the popular actor Ivan Mosjoukine with three other distinct shots: The first is a bowl of soup, the second is a girl in a coffin, and the third is a woman lying on a couch. During his professorship, Kuleshov released a short film that would go on to become the foundation of Soviet Montage Theory. Kuleshov, along with his students, explored the process of film editing rigorously. Consequently, at this time it was incredibly difficult to find film stock in Russia, so instead, the people were left to study film rather than create it. What followed was a period of radical change, both socially and economically. In 1923, Vladimir Lenin and the Bolsheviks usurped control of the Russian government. ![]() One of the foremost professors at the School was Lev Kuleshov, who had begun experimenting with new ways of editing film by 1920. The Moscow Film School or VGIK was founded in 1919 during the midst of the Russian Revolution. ![]() The word ‘montage’ is rooted in the French language as a term to describe the connection of individual pieces, whether they be film, music or images, into a cohesive whole.īut to understand why montages became a major component of Soviet cinema, we have to first look at how the industry got to that point.
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